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The film revolves around adult siblings, Barry and Brooke. This was an ideal quote to market the film with as it rode the “heat of the moment” of Mad Max: Fury Road‘s recent release. As the film features quite a bit of driving and a lot of Aussie accents (as well as a few pieces of body armor), some critic made the comment that the film was like “ Mad Max meets Dawn of the Dead“. Wyrmwood comes to us from Australian director Kiah Roache-Turner. Something that is a “hot topic” in the conversations of your now targeted audience. Sometimes you just have to have the faintest semblance to something else that’s “trending”. “ The Walking Deceased“? God love ’em for not even trying. Sometimes you just need to have a name that sounds like another known film/television property. “ Hey, I didn’t even know Jimmie Walker was still alive!“. Someone who will draw people’s attention, even if that attention comes in the form of morbid curiosity. It takes a lot for a zombie film to get noticed these days. It might not be fair to say that zombie films are now “a dime a dozen”, but as the multitude of bargin bin DVD multi-movie collections found on the shelves of every store from Walmart to Dollar General to even your corner gas station prove, they’re closer to $3 a dozen. With the rise in popularity of the sub-genre stemming from the cultural phenomena that is The Walking Dead, zombie flicks are now being churned out at an unprecedented rate. Once almost exclusively the property of George Romero and more than a handful of Italian guys, zombie flicks have saturated the landscape of horror over the last decade or so. Evidently made with a deep passion for its genre, and trying to expel some of the clichés, the Roache-Turner brothers may have created a cult classic.Purchase Wyrmwood: Road of the Dead from Amazon!
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Whilst it is unlikely to appease most fans of popular TV series The Walking Dead, for die-hard fans of zombie films, Wyrmwood: Road of the Dead is a satisfying experience. Wyrmwood is unrelentingly action-packed, overflowing with blood and violence, and highly ambitious. However, this doesn’t detract from some great acting, amazing makeup and special effects, fun soundtrack overall what is a well-directed and very enjoyable piece of cinema. It fails to acknowledge various plot holes leaving unanswered questions, and elements of the dialogue feel forced and cringeworthy. It’s apparent that Wyrmwood: Road Of The Dead is the Roache-Turner brothers’ first feature-length script. Not forgetting it’s a zombie epic, it somehow manages to merge elements of action and sci-fi, to create a very unique take on the horror-zombie genre. The movie combines elements of these films with a healthy dose of comedy, somewhat reminiscent of an Aussie Shaun of The Dead.
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Director Kiah Roache-Turner acknowledges the influence of features such as Mad Max and Evil Dead, and frankly it’s not hard to see how they’ve affected Wyrmwood: Road Of The Dead. This introduction is a sign of things to come: Wyrmwood: Road Of The Dead starts off sprinting, and doesn’t stop to apologise. The post-apocalyptic zombie feature is a strange blend of tribute and plagiarism.
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The film opens to a small ensemble of men clad in hockey masks and home-made armour, blowing the brains and limbs off a hoard of zombies. Meanwhile, Barry teams up with other survivors Frank (Keith Agius) and the affable Benny (Leon Burchill), and they all hit the road in a souped-up truck, fuelled by zombie breath, in search of Barry’s sister. His sister Brooke (Bianca Bradey) is kidnapped by a group of menacing soldiers, and experimented on by a psychotic dancing scientist in hazmat gear, who looks like a cross between Mr Freeze and Doc Brown.
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One evening, as the zombie apocalypse begins, Barry’s life, and many other characters’ lives, is changed irrevocably. Lead protagonist Barry (Jay Gallagher), is a gifted mechanic and family man. Almost eight times that budget and four years later, Wyrmwood: Road of the Dead bursts onto the scene. This is the debut feature length film from Australian Roache-Turner brothers a film they intended to create in just six months, with $20,000.